Showing posts with label Community. Show all posts
Showing posts with label Community. Show all posts

Friday, December 28, 2012

Television Top Tens of 2012: Best Series

Here we are, the final tv top ten list of 2012, best series. The top episodes list is here, and the top new series list is here.

REMINDER: Lists are subjective. I ranked what I like. I don't watch Breaking Bad or Game of Thrones or The Good Wife or Boardwalk Empire or The Vampire Diaries or Downton Abbey. I don't watch any Fox Animated series or anything on Adult Swim. I don't watch any CSI or NCIS or Law & Order or anything that's title starts with Tyler Perry's. I don't watch anything on USA or CW or TNT or Starz. So if a show isn't included, it's probably because I didn't watch it, or because I didn't like it as much as the shows I listed. But feel free to ask away in the comments.

And with that, let's do this. Let's start with Brett Alazraki's Top Ten list.


There. Yell at him about ranking The Newsroom, it didn't quite crack my list. And now here's mine. Honorable Mentions are, again, kinda alphabetical.


I'm not going to breakdown each individually, because at this point I've pretty much written about each of these shows, so just a bunch of bullet points.

-The top four were incredibly close. I finalized this list only a couple days after what I thought was an incredibly strong Homeland finale, but on reflection I may swap it with Mad Men. But it's really close. Each of those four were in the top spot at one point while making this list.

-At the end of the day, while I think it's fair to say Parks and Rec is the better show than Happy Endings because of the world it has built and the deep emotional connections created in that world, there is no show I look forward to watching each week more than Happy Endings.

-The entire top nine are the same shows, albeit in a different order, as my top nine for the 2011-12 television season. I did not look at that list until I had finished this one. There's no good reason why Awake, which was #10 then, is not an honorable mention while Cougar Town, which has also not aired any new episodes since then, is. That's just kinda a mistake.

-Number 11 was Glee, and the two veteran shows that now share a time-slot went back and forth for the 10 slot week to week. Both Glee and Grey's had excellent falls and winters, and Grey's spring wasn't anywhere near as bad as some of Glee, even if it didn't reach the same heights, but that's a coin flip.

-Suburgatory probably gets as high as 7 if not for the Alicia Silverstone episodes. At its best it can be a top 5 show, if it ever reaches that best consistently.

-The top 4 were my clear top tier. New Girl was my clear #5. 30 Rock and Community were my next tier, and Parenthood and Suburgatory after that. Grey's, Glee, The Newsroom, and Cougar Town all received consideration for 10th, along with picking a specific arc or series of episodes from either (or both) The Daily Show and The Colbert Report.

And that wraps this up. I might do some silly top 10s next week, but no promises. Feel free to comment/complain/laud in the comments or on twitter, and have a happy new year!

Wednesday, December 26, 2012

Television Top Tens of 2012: Episodes

It is that time of the year. The time for lists.

I have traditionally done 4 television lists biannually- once at the end of the TV season, and once at the end of the year. This year, I decided to cut the Top 10 Worst Series list. It just wasn't feasible to compare ¡Rob!, Work It, Are You There, Chelsea?, Ben and Kate, I Hate My Teenage Daughter, and Anger Management.

Okay, I don't hate Ben and Kate that much.

That leaves three lists that I actually did. You're also getting two lists from my friend, and occasional blog contributor Brett Alazraki. First up is episodes.

REMINDER: Lists are subjective. I ranked what I like. I don't watch Breaking Bad or Game of Thrones or The Good Wife or Boardwalk Empire or The Vampire Diaries or Downton Abbey or Brickleberry. So if a show isn't included, it's probably because I didn't watch it, or because I didn't like it as much as the shows I listed. But feel free to ask away in the comments.

To start with the episodes list, I made a massive list of episodes I had in consideration. Here are the Honorable Mentions, with the episodes that were closer to making the list highlighted in yellow. These are listed in alphabetical order by series. I also limited my actual Top 10 to one episode per series, so some of these may actually be among my 10 favorite episodes of the year (okay, "Win, Lose, or Draw" definitely is).


Some notes on those:

-"At the Codfish Ball" was the Mad Men episode I chose in my end-of-season list, but on rewatch I preferred a different episode.

-I wasn't a huge fan of girls, but the Shoshana plot in "Welcome to Bushwick a.k.a. The Crackcident" was phenomenal, as I wrote about here.

-The Late Night with Jimmy Fallon and Late Show with David Letterman episodes are the post-Hurricane Sandy episodes that went on without a studio audience.

-The Smash pilot was actually good. You probably even liked it. Don't blame it for what came after.

-Meghan Ory is my absolute favorite part of Once Upon a Time, and the two Ruby-centric episodes have been two of my favorites.

-I finished this list a couple of weeks ago, but HIMYM's winter finale 2-parter would have also made this list.

-Happy Endings' "The Kerkovich Way" and 30 Rock's "Leap Day Williams" were my last two cuts. Those two shows are two of my favorite comedies (we'll get there) but are more about individual moments and jokes than full episodes (often the B or C storylines are completely forgettable). That said, if I didn't conform to the norm and did a Top 12 (for 2012!) they would be on there.

Which brings us to the actual Top 10. Unlike my series lists, I did not rank these. It was just too much.



Let's take these in the order they're listed.

-Bent- "Tile Date": This was the season (and series) finale for Bent, NBC's short lived (six episodes in three weeks!), star-filled (well, tv-wise at least) sitcom. This episode was the highlight, and left me wanting more episodes.

-Community- "Curriculum Unavailable": The show's second faux clip show wasn't as shocking as its first, but it was still brilliant in its own right. The insane asylum flashback, in particular, was a series highlight.

-Cougar Town- "A One Story Town": I got to see this episode at an advance screening (c'mon that made me sound cool), so crowd mentality may have helped my enjoyment of this episode. Yet to me it was one of the most brilliantly constructed episodes of television I have ever seen. You get the hints from the beginning- Bobby needs to get to the kiss, the crab festival, and The Worthless Peons singing Disney songs- that are all brought together for the "Kiss the Girl" sequence. And then there's the Scrubs reunion.

-Glee- "Goodbye": A funny thing happened on the way to Glee season 4- the show remembered it could be good. The season 3 finale packed an emotional punch as a farewell (at least as series regulars in Lima) to a number of characters, and despite my complete lack of shipper-ness, the Rachel/Finn breakup was beautifully done.

-Homeland- "Q&A": This was one of my top 3 episodes of the year. The entire series built up to the Carrie interrogation of Brody, and the two defending Emmy winners earned their next nominations in that scene.

-Louie- "Late Show" Parts 1-3: I don't regularly watch Louie, but one day this fall I decided to watch a bunch of the most popular episodes. This was the arc that sold me on the series. This arc was funny, smart, and moving, and while I may never watch the show regularly, arcs like this will make me keep coming back.

-Mad Men- "Signal 30": The Campbells' dinner party was one of my favorite scenes of the year (Annie Edison AND Alex Mack!) plus Lane Pryce knocking out Pete. But really, there are four or five episodes of Mad Men you could pick this year.

-New Girl- "Fancyman" Parts 1&2: This two-parter was the start of the turnaround for New Girl. Dylan McDermott's Dermot Mulroney's eponymous fancyman brought out new elements in both Jess and Nick, and the show became all the better for it.

-Parks and Recreation- "The Debate": Another of my top 3 episodes of the year. This episode highlighted what makes Parks what it is. There was plenty of the insane comedy- the non-Leslie candidates in the debate (Buddy Garrity!) and Andy's movie reenactment. And there was plenty of the sweet- Leslie's response to Bobby's threat, and Ron stealing the cable.

-Suburgatory- "The Wishbone": And my third of my top 3 episodes. This is fairly easily the best episode of Suburgatory. While the show is certainly inconsistent, this episode showed that, when the series is at its best, it can be the best series on television. The combination of sweet sincerity and comedic extremes is, when perfected, the best thing television can bring, and "The Wishbone" perfected this.

And here are Brett's Top Ten Episodes. He did rank them. 


Up next, New Series...

Tuesday, November 15, 2011

Occupy Greendale



I watch a lot of television. I got very lucky last season; nearly everything I cared about got renewed. Sure, I enjoyed Mr. Sunshine, and occasionally Mad Love, Perfect Couples and Better with You, but the shows I cared about all got renewed.


Some of these were obvious- The Big Bang Theory, Modern Family, and Glee are substantial hits. How I Met Your Mother, The Office, 30 Rock, and Grey's Anatomy are central to the foundation of their respective networks for a long time now, and likely will go out on their own terms. Others were more surprising- Cougar Town and Parks and Recreation are moderately watched, if critically beloved. Breaking In was actually cancelled before it was renewed. Happy Endings, this season's best comedy, was the penultimate of the five HIMYMesque sitcoms to debut last season (after Perfect Couples, Mad Love, and Traffic Light, and before Friends with Benefits), was aired at a time of the year (starting in April) and in a time slot (10 and 10:30 after Cougar Town?!?) to be burned off. Heck, one of the stars (Damon Wayans Jr.) was cast in one of the biggest new sitcom pilots of this season (New Girl), assuming Happy Endings would never make it.


Community was also renewed. I'm not totally sure why. Three seasons is not enough for syndication, so this renewal would not boost them to that. NBC had a ton of comedy pilots, two of which (Bent and Best Friends Forever) still aren't scheduled to air. It's ratings are awful. It's critically beloved, but less so than P&R. It has virtually no award buzz, other than the fact that Joel McHale was in the Emmytones.


Community is not my favorite show. It maybe was, briefly, but it's been passed by P&R and HE and HIMYM's resurgence. But Community is not like any other show. It does things, it takes chances, it gets creative in ways that virtually any other network live-action sitcom does (sometimes, at its peak, 30 Rock was like this. It only occasionally is now). In fact, stylistically Community might share the most with Family Guy, albeit at a much higher level. Because of this, Community can reach extraordinarily greatness ("Modern Warfare," "Cooperative Calligraphy," "Conspiracy Theories and Interior Design," "Paradigms of Human Memory," and "Remedial Chaos Theory" are probably a top five, though I could be convinced into "Contemporary American Poultry," "Epidemology," "Advanced Dungeons and Dragons," and "A Fistful of Paintballs" fairly easily). But it can also feature massive duds ("Basic Rocket Science," the first three episodes of this season, and in my mind the show's worst episode, "Celebrity Pharmacology"). It isn't surprising then that while Community has attracted a strong, passoinate fan base, it has also turned off millions of viewers.


And so yesterday's decision by NBC to put Community on hiatus to start 2012 is not a surprise. And despite a fourth season bringing Community to the point of syndication, a cancellation in May would not be a surprise either. But that doesn't mean it's not a mistake.


Look, NBC is a fourth place network, and it isn't even close. The chances they've taken- starting with The Jay Leno Show and up to expanding The Sing-Off to a 2 hour, full season series- has failed, miserably. Of the seven shows NBC has debuted this season, two have been officially canceled (Playboy Club and Free Agents), one has been all-but canceled (Prime Suspect), and one is being essentially put out to pasture (Whitney). If NBC has one thing going for it, its critical praise. The network's failure has let them air, despite low ratings, Chuck, Parenthood, Friday Night Lights, and their comedy lineup for several years. Sometimes this pays off- Amy Poehler has consecutive Emmy nominations for P&R and the series got a Best Comedy nomination this past year, while Kyle Chandler and Jason Katims pulled off upset victories for FNL's final season, with the series and Connie Britton also earning nominations. Sometimes it won't pay off, but for a last place network, you have to take chances.


And there is no bigger chance than Community. One half hour spot isn't going to fix NBC, especially if that half hour spot is the newly renamed Are You There, Chelsea? (technically 30 Rock is replacing Community in the lineup, but since 30 Rock was a lock to return, Chelsea is the new face in NBC's crowd of 6 sitcoms). So why not keep a show that, when at its best, can be the talk of the internet?


Nobody is expecting six seasons and a movie. But if the alternatives are Whitney and Chelsea, NBC should take the chance with Community for at least a little longer.


In other words? Come on NBC. Pop. Pop.

Thursday, March 31, 2011

13 Hours of TV to Watch this Summer When You're Not Watching Mad Men


Look, Mad Men is good. It's really good. It's probably the best show on television. The Emmy voters certainly seem to think so. It might even be one of the top television dramas of all time. I don't know, I never watched The Sopranos or The Wire. But either way, it's up there.

And it won't air in 2011.

It might never air again, it might eventually air with dramatic changes, or it might come back in the winter of 2012 as strong as ever. But it definitely will not air in the Summer of 2011. (UPDATE: Mo Ryan of AOL is now reporting creator Matt Weiner has reached a deal with AMC for 2, and possibly 3 seasons. So Mad Men will be back in 2012. Hooray!)

So what will you do for those 13 hours of your life? You could rewatch some of your favorite Mad Men episodes of the first four seasons. AMC would certainly like you to watch The Walking Dead or Breaking Bad or whatever else they air in that slot.

But here are 13 hours of television I would suggest watching. Probably none of them are the quality of Mad Men, but they feature top notch performances from the Mad Men cast.

30 Rock- "Generalissimo" and "St. Valentine's Day"
Community- "Cooperative Calligraphy" and "Conspiracy Theories and Interior Design"
Dharma and Greg- "Unarmed and Dangerous"
Gilmore Girls- "But I'm a Gilmore"
Grey's Anatomy- "That's Me Trying"
How I Met Your Mother- "Return of the Shirt" and "How I Met Everyone Else"
Parenthood- "Seven Names"
Saturday Night Live- "34x6: Jon Hamm/Coldplay"
The Office- "Customer Survey"
The West Wing- "Commencement"
Will & Grace- "Big Brother is Coming" Parts 1&2

...and the network show perhaps most inspired by Mad Men (although far less successful)...

Lone Star- "Pilot" and "One in Every Family"

Tuesday, March 15, 2011

The TV Musical Part I: Original Songs

This is part one of a two part post on musical tv moments/episodes. Today we focus on TV shows featuring original songs in advance of tonight's aptly named Glee episode, "Original Song." On Thursday, March 31 we will look at TV performances of well known songs in anticipation of Grey's Anatomy's musical episode, "Song Beneath the Song."

Through its first 37 episodes, Glee featured no original songs, other than a brief number by Rachel about her headband a few weeks back. That ends tonight. Three original songs, "Get it Right," "Loser Like Me," and "Hell to the No," will be performed in tonight's episode. The first two songs have been released, although in full disclosure, as suggested by a handful of critics (most notably Myles McNutt), I have yet to listen to the songs in order to be able to experience them like the judges and Kurt and Blaine do tonight.

But Glee is not the first show to delve into the world of original song writing. Below are some of my favorites...

How I Met Your Mother has penned six original songs since then, but the first one was by far the best. Pehaps it was the element of surprise, or the constant Canadian references, or the rap break, or the robot, but it is hard to top "Let's Go to the Mall"

The lyrics of the Friends hit "Smelly Cat" may not have been quite as clever, but the show got as much out of the song as possible over the course of the series.

Scrubs went above and beyond with a full-out musical episode. Here is the big opening production number:


Finally, Community, which made a joke in the famous Paintball episode about Glee's lack of original songs, had a couple songs of its own, including the catchy "Getting Rid of Britta"

What other TV original songs would you consider hits?